Well I just finished three printing sessions in my darkroom this week and I began to think about my old but trusted Zone VI Temperature Compensating Timer, and why hands down it is the most brilliant darkroom tool ever created. I have extolled this to everyone I speak to when discussing building or equipping a darkroom, and now it’s time to tell the world!

I have had mine since it came out in the mid 1980s and roughly 30 years later it never ceases to amaze, because sometimes inventions that solve a single but critical problem simply are the most valuable of all … at least to me.

Here’s the problem. You went into your darkroom last December and spent several hours to produce a beautiful print from a hard earned negative. Of course, you recorded all the information necessary (the recipe) to make another one just like it. Now it’s August and you decide to make several more.

You pull out the recipe, expose your paper for the same amount of time as before and use the same aperture on your enlarging lens. Next you slide your sheet of paper into the same developer you used before, mixed at same 68 degrees and start the timer. So far, so good. Except it’s not!

You smugly go through all the remainder of the darkroom chemical process steps, and make sure you have compensated for your particular paper’s dry-down characteristics, etc. Finally you leave your prints to dry (I place mine on window screens). Next morning you go back into the darkroom to collect your now dry prints, turn on the lights and … they don’t look exactly right!

@#$%#@$%^

What happened? You followed every step from the August session to the letter. You mixed the chemicals at 68 degrees, just like last time. Good for you, but you made a fatal mistake. You failed to take into account that the temperature of your solutions can drift dramatically during the course of a printing session. So it’s summertime now and you have started at 68 degrees. Well guess what … the temperature of the water is going to increase! Maybe a lot, perhaps into the 80s! Oops … higher contrast. Now turn that around and say you want to make a print in the wintertime that you originally made in the summer … now we are talking about your solutions perhaps dropping into the 50s, yielding a weak low contrast result.

Same thing when developing negatives where temperature control is even more critical! Negatives developed in the summer could end up being much too contrasty and the opposite for those developed during the winter.

Of course there are workarounds. Placing your film developing tank or print developer tray in a larger one containing ice water, etc. But in the end all solution temperatures drift. Life is too short; there’s an elegant solution that solves the problem once and for all.

The Zone VI Temperature Compensating Timer has three setting on it: Real Time; Paper; and Film. Connected to the timer is a temperature probe that’s placed in the developer tray for paper. For 35mm and roll film a water bath tray is used. The probe is placed in it, as are your film tank containing developer, and graduates containing stop, fixer and hypo clear.

The timer automatically compensates for any deviation from the standard 68-degree time so that every negative is developed properly and every print developed looks the same, no matter what the temperature of the developer and other solutions may be! That’s all it does and it does that perfectly – every time!! Simple and effective. Brilliant!!!!

Also connected to the timer is a footswitch that activates it. A digital display shows the amount of seconds that have elapsed and a beep softly goes off every 30 seconds so you don’t nod off!

Sadly the Zone VI timer is no longer made. I forgot what it cost when first introduced, but about ten years ago it sold for almost $400 before it stopped being produced (after the disastrous acquisition of Zone VI by Calumet).

Not to worry. If you are patient they are available from time to time on the used market for about half that price or thereabouts.

Look for them used on APUG, eBay or Craigslist, etc. and get one!!!!!!

You won’t regret buying one. I promise!

I want to take a moment to thank everyone who came to the open house that launched my recent show at Manu Propria Photographic Studio, in Staunton Virginia. I especially wish to thank my family and dear friends who came to share this moment with me, as well as those who could not be there but encouraged and supported me in this endeavor!!!

I met a lot of interesting people and had a lot of fun. There is something exciting about seeing your work beautifully displayed on walls that are not your own! I also enjoyed speaking with visitors about my work and watching them move in close to look carefully at the photographs. I print them on 8×10 paper – meaning in practice they are smaller than that. I came away very encouraged and learned a lot … and in the end that is what really matters!

I encourage you to try to find a venue to display your work. However, what is most important is that you keep making meaningful photographs … those that are meaningful to you!

The show stayed up for a few weeks, than I traveled back to Staunton, Virginia and conducted the Shenandoah Valley Workshop with Richard Pippin. This too was great fun for me, and again I learned a lot. In particular, just how easily it is to make a beautiful platinum contact print … from the coating of the paper to the final print. Part of the objective of the workshop was to show participants that they could do this with little or no experience, and with a minimum of equipment — even without having a darkroom, using either the sun or a UV light source. Richard did a great job demonstrating this and removing much of the mystery and fear. While alternative processes are not for me, you can’t argue with the beautiful results!

And since we were in Staunton, we paid a visit to the really cool Camera Heritage Museum, the largest camera museum open to the public in the US. Museum Curator David Schwartz held court, showing us how camera technology has evolved over the years. This is THE camera candy store, and we saw some unique and extraordinary equipment! All I can say to you gear heads and everyone else that would like to see and touch the exquisite tools that made photography possible … this is THE place!

For me, the workshop was a test. Could I do it? Would I freeze up, or be stiff and boring? Could I motivate? In short, could I teach what I know and learn something myself?

I answered my all of my questions and achieved my goals; I hope this is the first of many workshops to come!

Stay tuned!

Let’s get together! Yes, how about getting together to chat about our photographs and the stories behind them. What was your intent in making the photograph, what were you trying to say, was it a success? If you made your print, were there any particular challenges involved?

This is not a discussion focused on gear — the idea is to share insights, get constructive feedback, learn a few things, relax and make new friends!

Well, if this sounds interesting and fun, how about joining me in beautiful downtown Doylestown, PA, in the heart of scenic Bucks County, and we will get together over a cup of coffee.

Photographers of all levels are welcome.

A total of 3-4 people is the right size. Bring only a couple of prints to discuss. Obviously the prints should be Black and White and should be film based!

The get together will be on Sunday, August 28th, 10:00-11:30am at the Zen Den coffee shop, located on ‪20 Donaldson Street, Doylestown, PA 18901.

Email or call me at 215-348-9171 if you are interested. First come first serve!

I look forward to meeting you!