Second Photo Walk Meet Up

By popular demand we are going to take another break from doing our periodic Photo Chat Get-Togethers and instead get together for another Photo Walk Meet Up!

Yes, how about getting together to make some photographs at the historic remains of the Lock Ridge Furnace complex located in Alburtis, PA. This is the site of one of the few remaining coke fired iron furnaces built in the 19th century. There is plenty to photograph with fantastic old architectural structures residing in a beautiful park in scenic Lehigh Valley.

Well, if this sounds interesting and fun, how about joining me on Sunday, March 19th, at 10am. We will meet at the Lock Ridge Park and Furnace Museum located at 525 Franklin St., Alburtis, PA 18011.

Photographers of all levels are welcome.

Email at info@michaelmarksphoto.com or call me at 215-348-9171 if you are interested.

I look forward to meeting you!

Another Show

One thing ends and another begins. Because of the ongoing upheaval in our lives I had to resign as a member of the artist coop I was a part of. I find it’s always best not to do something you cannot fully commit to. Always have been that way, so no point in starting to do something half hearted now.

No problem … I will be having a one-person show at the Zen Den Coffee House, right here in beautiful Doylestown. Yes, it’s the same place we hold our periodic Photo Chat’s Get Togethers at! The Zen Den is not only a neat place to sip coffee and eat food, but it goes out of its way to showcase regional painters and photographers … like me.

The exhibit will be on display from Wednesday, March 1st through Friday, March 31st and will be a reprise of last summer’s show I had in Staunton Virginia that focused on some of my favorite photographs of people.

So if you find yourself in Bucks County and have a spare moment, please stop by, have a cup of coffee and take a look at my photographs. Send me a note and maybe we can get together to discuss photography over something hot!

The Zen Den is located 20 Donaldson Street, Doylestown, PA 18901.

Ease or Effort?

Last week I was sitting in the lobby of a nursing care facility here in Doylestown. Not the most exciting place to be sitting, but that is part of the deal now. I was just sort of waiting around until I noticed a very interesting display across the lobby on the far wall. I recognized the distinctive Moravian tile that has been made since 1898 at the world famous Moravian Pottery and Tile Works, in Doylestown. They’re handmade and produced in a manner similar to that developed by the pottery’s founder and builder, Henry Chapmen Mercer (1856-1930). Mercer was an American archeologist, artifact collector and tile-maker, not to mention the designer of three distinctive landmark buildings in Doylestown. Beginning in the 1890s he devoted himself to finding old American artifacts and learning about German pottery. Mercer believed that American society was being destroyed by industrialism, which inspired his search for American artifacts. In addition to producing unique tile creations, Mercer began a collection of early American tools he assembled that is now housed in the equally famous Mercer Museum, also in Doylestown (NOTE: I think I am very lucky to live here, where we also have the incredible Michener Art Museum!!!).

Anyway, back to the wall display at the nursing care facility. In addition to containing simple, yet beautiful Moravian tiles, there was a description of Mercer’s philosophy that said his tiles have been and should be works of art and works of art can never be made by machinery … they must be crafted by hand and not by mechanical processes.

I not sure I fully buy into America being destroyed by industrialism … it was certainly being changed from a predominantly agrarian society, but that was also the direction the entire Western world was going, and there was no turning back.

The question of course is whether “modernism” and technological development with all that comes with it can be balanced in such a way that protects what is still precious about the environment, as well as the way we should ideally live and carry out our lives … including our creative lives.

So what does this have to do with photography you might ask? I actually think a great deal. I truly believe and have found in my own experience that anything worth doing is hard. But having put in the hard work, there is true satisfaction in the accomplishment!

We can be lazy and sloppy in the analog world and the results are easy to see. But I think the dangers are even greater with digital because it’s just so damn easy. This semester I’m teaching two photography classes and all my students use digital devices of some kind. I tell them the most important thing they can do to improve their results is to slow down and concentrate. No need to squeeze off 500 shots during the course of an afternoon hoping to find a keeper somewhere buried within all the rubble. Then there is the question of what happens with Photoshop. I think it is critical that it be used subtly and judiciously. Yes, we dodge and burn and use different contrasts when we print in the darkroom, but in the digital world it’s just too easy to blatantly manipulate … because … well … it’s just too easy.

And what about color? I think the success of a color photograph is based in great part on how color is properly used, be it subtly or bold. That takes great seeing, thought and work. Finally there is the print itself. Don’t print a bunch on your Epson, Canon, etc., without some serious review of the final results. Better to make sure what you’re looking at is what you originally envisioned.

So in the end, whether you use film and print in a darkroom or shoot digital and print with an ink jet printer, what it really comes down to is whether you have accomplished what you set out to do in the first place? Have you expressed what you saw in your mind’s eye with a purity of vision? But most importantly did you make a real effort to produce the best you could instead of taking the easy way out?

Think about it.

Tom Abrahamsson, 1943-2017

I was very saddened to hear the news of Tom Abrahamsson’s death on January 3rd. For those not familiar with this wonderful man, he was the designer and maker of the Rapidwinder, a nifty finger operated device that rapidly advanced film on Leica M cameras (an accessory based on, but better than Leica’s own Leicavit), as well as the Softie soft release button for use on Leicas and many other cameras. Tom was also a renowned Leica film photographer and fountain of knowledge to the black and white film community. When not manufacturing his wonderful products or making photographs he could be found on the RangeFinderForum dispensing useful advice and answering anyone’s questions on all things Leica, black and white film and developers. Most importantly, by all accounts, Tom was just an overall good guy.

Over the years I bought many of Tom’s Softies and asked him for advice concerning Leica cameras, film and developers. Both he and wife Tuulikki were always helpful and generous with their time; be it on the phone or via email. He was a true gentleman for sure and thus somewhat of a rarity in today’s world. While I never met Tom personally, I am certainly better off for the experiences I had with him.

In a world filled with overly complicated products with features in search of a mission, Tom produced simple but wonderful creations that fulfilled compelling needs. And while this is a wonderful achievement, my guess is that he touched people in ways more profound and enduring.

RIP Tom.

David Plowden, The American Barn

In a recent blog entry I talked about my fascination with Buffalo’s old and unoccupied grain elevators. I felt they had a spiritual quality about them; that in a way they were monuments to the past. I went on to say that I was aware of the elevators when I was growing up, but never really witnessed or cared about them. And I never thought about seeing them during the many times I had been back to visit after I graduated from college and moved away. I suspect this isn’t an atypical situation for many of us. My hope in writing about this was that we would now think about the opportunities that exist to capture the power and beauty of the many artifacts of a different … and perhaps better time.

In the same entry I mentioned one of my favorite photographers, David Plowden.   Plowden describes himself as “an archeologist with a camera”, spending his life “one step ahead of the wrecking ball” to capture poignant images of the American landscape and historic American structures before they’re gone. Because I have also been discussing doing photographic projects or working on a theme this made me think about one my favorite Plowden books, The American Barn.

I love old barns, but like many structures that represent our proud past, they are disappearing at an alarming rate. Just as the small farm is becoming more a thing of the past, so too are these wonderful buildings. They represented a simpler time and way of life that is gone and most likely not coming back. They also represent a less homogenized version of America with their unique shapes, designs and sizes. So different than what dots much of our landscape today. Unfortunately they and the small farms they inhabit are going fast, as are a range of iconic structures across the land. Instead we have huge agribusinesses, suburban sprawl, more sub divisions, strip mall blight, ugly uninspiring architecture … you name it. It’s all about economics … or because we seem to want it … or because we don’t really care about enough about things done in really bad taste.

Thankfully Plowden has taken the time to travel across the country capturing images of these beautiful structures so that we will be able to remember and cherish them before they’re gone. Plowden is a master photographer and printer and the 130 black and white pictures contained in the large coffee table size volume are wonderful. I look at it often and when it’s open I almost feel a breath of fresh air from the crop fields blow off its pages. It inspires and makes me happier. Take a look … perhaps you will feel the same.

I Am Now A Member of InLiquid!

Last year several people suggested I look into the possibility to become a member of InLiquid, a wonderful and energetic organization that “ mobilizes and makes accessible the visual arts culture of the greater Philadelphia region in order to unite communities, establish wider audiences for artists and designers, facilitate the relationship between artists and collectors, and nurture the public’s appreciation of all forms of visual art”. Given my proximity to Philly, I was interested to find out if they would take a hankering to my photographs as they work hard to promote their artists’ work to galleries and other public venues in the region.

They feature a range of artists across a wide range of mediums, including over 50 photographers and I was excited about the opportunity to be a part of it. Several times a year they accept applications, so this past fall I decided to give it a whirl. Submission of your work, your bio, history, etc. … the usual stuff.

I think there are many creative outlets beyond traditional brick and mortar galleries and juried shows that enable your work to be seen … if that is what you want. In many ways operations like InLiquid have become a viable alternative to these venues. And then there is the whole world of self-publishing using services like Blurb, etc., but that’s a subject for another discussion). InLiquid gets over 55,000 looks per month, creating some wonderful opportunities for photographers. I’m sure other sites have similar traffic; so a little research may be worth the effort.

In November I was accepted but I guess I’ve been overtaken by events and completely forgot to mention it. @#%$^&. Check out their website and take a look at my small corner of it at http://inliquid.org/complete-artist-list/marks-michael/

February Photo Chat Get-Together

What better to do with the New Year than discuss photographs!

Yes, how about getting together to chat about our photographs and the stories behind them. What was your intent in making the photograph, what were you trying to say, was it a success? If you made your print, were there any particular challenges involved?

This is not a discussion focused on gear — the idea is to share insights, get constructive feedback, learn a few things, relax and make new friends!

Well, if this sounds interesting and fun, how about joining me in beautiful downtown Doylestown, PA, in the heart of scenic Bucks County, and we will get together over a cup of coffee.

Photographers of all levels are welcome.

Bring only a couple of prints to discuss. Obviously the prints should be Black and White and should be film based!

The get together will be on Sunday, February 19th, 10:00-11:30am at the Zen Den coffee shop, located on ‪20 Donaldson Street, Doylestown, PA 18901.

Email or call me at 215-348-9171 if you are interested. First come first serve!

I look forward to meeting you!

Let’s Be Frank

So it was finally time to get out of Dodge … about six weeks or so of sleeping on an air mattress and we were getting ready to come home. The plans had changed with the passing of my wife’s father. Now we were bringing her mother back with us to stay. She has Alzheimer’s so it would be one day at a time, but at least we were coming back.

I do love Buffalo though, especially the junk food … Anderson’s soft serve ice cream, Ted’s, Anchor Bar, Duffs. But the jewel is Bocce Pizza.   As long as you go with double cheese and double sauce there is none finer. I know those from New York and Chicago might disagree and I am happy to discuss this matter here or offline. In any case, I ate three personal pies during the last two or three weeks. Double cheese, double sauce, with mushrooms and onions. The standard of course is double cheese, double sauce, mushrooms and pepperoni. I gave that up a long time ago, but I can still dream.

Our SUV wasn’t nearly large enough to get everything we would need to bring back from my mother in law’s condo so I needed to rent a truck. I had been to this rodeo before and figured a 12 footer would easily do the trick.

We found the place in a somewhat seedy location on the east side of town. I walked in to find Frank sitting at his desk eating one of the largest antipasti I had ever seen. It did look good though, and if I wasn’t a vegetarian I might have asked for a forkful given my sleep-deprived state of mind. As we were going trough the laborious paperwork out came Frank’s sidekick from the back room. I said hello and he told me his name … Frank. That’s two Franks for one business. Frank 2 was an agreeable fellow but after some introductory small talk he mentioned there had once been a third partner … Franco. Eventually Franco left, which thankfully made things somewhat less confusing.

Two Franks at one time was a lot to process, but three would be much too much for me! So I suggested we have a frank discussion. They quickly grasped the essence of my lame shtick and we had a few laughs until a large limo pulled up containing two very big scruffy guys outfitted in hunting garb. I checked to make sure that their names weren’t Frank, then signed on the doted line and left with my truck.

After taking a day to pack and load things up we were on our way. Driving a truck by yourself for almost eight hours gives you plenty of time to reflect on all sorts of things, and my bad humor from the previous day had got me thinking … about the need for us to be frank with others … but mostly with ourselves … about what is really important. To me that now means photographing only what I believe is compelling, interesting and entertaining to me.

It’s not important to me what’s hot, current or trending. Perhaps this isn’t helpful on a certain level, but I think it makes all the difference concerning what really matters. We only have so much creative time in our hectic lives, so it’s best to make that precious time count and create that which is meaningful.