My Interesting Labor Day Photographic Outing and Other Thoughts

I hope everyone had a wonderful Labor Day weekend and enjoyed it in a responsible manner. It was a little strange celebrating Labor Day this time around; I haven’t met with anyone for my day job since March. And I wonder how many people actually bother to think about Labor Day. Just another holiday weekend and a good time to buy stuff on sale.

During the summer I’ve spent a lot time in my in my darkroom, which turns out to be a great Covid-free environment. But this weekend, after a lull in the action, I loaded my cameras up with film and started photographing again. Don’t worry; I made sure I had my mask with me just in case.  Turned out I needed it.

I was going to publish some thoughts surrounding the Fourth of July, but never did.  Wasn’t ready. Not sure I am now. Given the meaning of that holiday and what we were facing as a nation, I tried to think about what is good about America rather than what divides us.  As the weeks have gone by I’ve kept trying to think about this, but sometimes it’s hard to do. Just this Saturday I was about to make a picture of a couple of elderly women sitting outside a general store in one of the small hamlets that dot the Pennsylvania side of the Delaware River.  Chatting over cigarettes, one thought to ask me if I was “part of that BOM thing”? I hadn’t heard of BOM, but then she corrected herself and said “BLM”. “You’re not part of Black Lives Matter”?  Wasn’t sure whether to laugh or cry.  So I just made the picture and walked away. We’ll see how it turns out.  In the meantime, I’ll keep on thinking, because the good is still there, even when it seems to be overwhelmed by the fog surrounding us.  I know it’s true because I saw it in my Covid-19 pictures, and I see it every day.

Labor Day signifies the end of summer and the beginning of a more serious time of the year. The leaves have already started falling here in Pennsylvania, vacations, for those that took them are behind us and kids will be going back to school … albeit in unusual and different ways.  It was a summer I’ll never forget … just part of a year I’ll never forget.  In many ways it has been the worst year I’ve ever experienced, but in some ways it’s turned out to the best.

So guess what … I’m not giving up … there’s a lot of pictures yet to be made!

Stay safe,

Michael

To Jack Sharp And The Many Other Great Unknown Photographers Don’t We Know About

By now most interested photographers have heard about Vivian Maier. I even wrote an entry that discussed her … There Is A Lot of World Class Work Being Created We Will Never See, But That’s Alright. She was a fantastic street photographer, whose work was destined to remain unknown were it not discovered by John Maloof in 2007.  Now I have learned about Jack Sharp, thanks to one of my former students.  Thanks Susan!!!  She sent me a link to an excellent article by Michael Zhang that appears on the PetaPixel website https://petapixel.com/2020/08/24/man-inherits-treasure-trove-of-unseen-street-photos-from-his-grandfather/

Damn … another great, unknown photographer no longer with us!! This time a Brit, who made most of his black and white street photographs in Switzerland between 1950 and 1970.  Discovered by his grandson, Dylan Scalet, after inheriting and examining a treasure trove of over 5000 negatives, it’s an important discovery … Man Inherits Treasure Trove of Unseen Street Photos From His Grandfather”.

Jack Sharp is a great street photographer, whose work can be compared to Maier’s. There is now a website published by his grandson that is devoted to his photography. See it here: https://www.jacksharp.co.uk

As I have discussed before, how many other great, unknown photographers are out there waiting to be discovered, whose work may never see the light of day?  Part of the issue is that they simply are not driven to be discovered or to even promote their work. They just want to photograph for the love and passion of it. My guess is that Jack Sharp felt that way, and good for him! But I’m sure glad he saved his negatives, made sure they were passed on, and that his grandson happened to be interested photography and knew some great images when he saw them!

In yet another example of the many small miracles that have occurred during Covid-19, Dylan received the negatives in 2014 but hadn’t examined them until now.  Like most of us he probably now had a little extra time on his hands. Great! I’m thankful for his discovery and doubly thankful that I can now enjoy this excellent body of work.

So how many Vivian Maiers and Jack Sharps are out there … past and present?  We will never know, but I am deeply inspired by their work that I will likely never see and their passion for what they deeply love/loved. It is that love of photography itself and the doing of the work that makes what they do/did so special.

So to all the unknown’s out there doing great work for the love and passion of it … keep at it … you’re an inspiration to us all!

Stay safe,

Michael

Convenience vs. Something Else

Recently I reorganized my record collection and it got me thinking. There are a lot of similarities with what happened in photography and recorded music. It was around the same time when analog photography and recorded music went near extinct.  Digitalia was being forced down our throats, cloaked in the mantra of convenience. Speed, less hassle, less work … it was just so damn easy.  But slowly things began to turn around, because some people saw through this and others discovered/rediscovered what was almost lost. It took awhile but more and more folks came to realize that analog is just plain better – be it film or vinyl.

Today film and paper are readily available and there has been a vinyl explosion to the point of near extinction for the awful sounding CD. In photography digital capture will not go away because it satisfies a need for the commercial world. For many who shoot color it’s also good enough. But for black and white, people have rediscovered that digital just cannot replace film and wet processes.

Yes, for vinyl or film and paper, analog processes are messy, they take more work and more time, but they’re worth the extra effort! Sort of reminds me of an old beer commercial. Two guys are talking about whether to use a nail or a screw that would be hidden from sight. They guy who was making the decision said others might not know he used a screw, but he would.

I love analog and all the “extra” work that goes into it. And besides, with all the mediocrity we’re stuck with today, from the food we eat, to the culture we live in and most of idiot politicians we’re stuck with, along with the compromises we either make or are forced to adopt in today’s world, I am more than happy to use the screw instead of the nail and take the extra time and the steps necessary to create images or listen to great music in a way that is just flat out better.

Others may not care, but I do.

The screw is better than the nail … and I know it.

Stay safe,

Michael

Ralph Gibson, Light Years

Years ago while wandering through a used book store I happened upon a copy of Light Years. It must have been in the late Nineties because it has a price of $30 written in pencil inside on the first page. Today the book costs much more, but I would want it anyway because there is so much to learn from it!

Light Years was published in 1996 and served as a retrospective of Gibson’s work from 1960 – 1991. Gibson’s career has centered on the use of Leica cameras, Tri-X film and Rodinal developer. Then in 2013 he went digital but stayed with Leica.  That’s all right; I have not tracked Gibson’s later work to be honest, but he will always be a master to me.

Here’s the thing about Gibson … the images are high contrast and bold, they have grain, they’re abstract and focus on fragments of life. At first look they’re so simple and straightforward that you might be tempted to whip through the book. That would be a mistake!  Like Gibson, I use Leicas, one or two lenses and Tri-X, but that’s where the similarities end for me (oh … and he’s just a little better known then me). So what? I can learn a lot from his intense and compelling pictures … and so can you. He gets in close to his subject matter and isolates it to get to the essence of what it is, or what it is that he wants to say.  It’s up to you to interpret what it all means.

So these black and white fragments/abstracts are not really simple at all, that is not if you take the time to really study them in detail. Do that and you learn some valuable truths, such as how important it is to get in close and to carefully frame your subject.  In other words, concentrate on and think hard about every picture you make. That’s what I get again and again when I study this collection of many of Gibson’s finest pictures.  There are 92 of them so there is a lot to see and study. Take your time and you will be rewarded!

Highly recommended!

Stay safe,

Michael

Coping With Covid-19 Where I Live

Most of the pictures I make are candid and that has certainly been the case in recent years. I live in a small town and although I am in great health I am now of an age where I am considered “higher risk” for Covid-19.  Shortly after things started to really get worse I decided I didn’t want to just sit around because I couldn’t get close to people to make pictures the way I normally do. I would make a series of photographs near my home that showed empathy, grit and determination by the people that live here.  And why not; the daily flood of images filled with angst and grief was overwhelming. 

I began my project in March and ended it on Memorial Day weekend, as things were for better or worse to begin to open up the following week. Most of the photographs would be devoid of people, but there might be some if they could be made in a safe way.  Using my Plaubel Makina medium format fixed lens rangefinder camera made sense to me.  Simple and great image quality for a singular look and feel.

I exposed a lot of Tri-X with the plan to limit my portfolio to 20 images that would depict the story I wished to tell. After proofing and printing I am happy with the outcome, and I feel a lot better about people, or at least those that live nearby me. At a time of such divisiveness and selfishness, when the very social fabric that holds America together is being torn apart on a daily basis, finding and making these pictures renewed my faith that there still is hope because of the goodness that exists in so many of us. Because of this, as much as the pictures themselves, this project has been a true gift to me.

Now it’s time to move on to something else … but whatever I do going forward, the experience I had during those several months will always be with me.

Take a look at these pictures in Gallery 4. I hope you enjoy them.

Stay safe,

Michael

I Am Now a Member of the Da Vinci Art Alliance!

Recently I was contacted by Jarrod Markman, Executive Director of the Da Vinci Art Alliance in Philadelphia.  The DVAA-Da Vinci Art Alliance mission is to “build community through art” with public exhibitions, programming, and interdisciplinary partnerships.  DVAA is a non-profit art space based in South Philly that provides resources, exhibition space, and community for its artist members and the surrounding neighborhoods.The organization was founded by 9 Italian immigrant artists in 1931 and has continuously served its members, the South Philly area and surrounding neighborhoods.  The name was selected a name to honor Leonardo of Vinci!

As you might imagine, this all sounded intriguing to me, so I sent Jarrod an email asking if we could speak by phone to discuss their operation. We had a nice chat so I asked if I could make a socially distanced visit to see their gallery. Jarrod offered to meet me during off hours on a Sunday morning. Thanks Jarrod! I had a wonderful visit, and listening to Jarrod’s interest in growing the artist community in and around Philadelphia while focusing on the individual needs of members was truly inspirational.

Needless to say, I decided on the spot to become a member of Da Vinci and several of my photographs are now featured on my member profile at https://davinciartalliance.org/michael-marks.

I have not run into anything like Da Vinci before and it was a nice surprise to during the Covid-19 doldrums to be offered this wonderful opportunity.  I look forward to showing my work at Da Vinci and more importantly to developing new relationships with this exciting community!

Stay safe,

Michael

Passion or Hobby … Are You a Photographer?

Have you wondered whether you need to be a dedicated professional or working photographer to make pictures that are great and really matter?  Let’s face it; most of us are not so-called professionals or working photographers that make a living from their output. Most of us make photographs because we love to … and need to. I for one have been making photographs uninterrupted since I was a kid and have had a career that has absolutely nothing to do with photography. I simply love photography and everything about it!

While I don’t earn a living from photography, my photographic life has long been as important to me as my professional one and I often view my professional life as an enabler of what I love and need so much. So when people ask me what I do I tell them about my business and also say that I am a photographer.

I know that there are many “amateur” photographers out there whose work is as good or rivals that of the name brands. Vivian Maier is one example, but by no means the only one.  Her work is incredible and deserves to be ranked with the best of the street photographers. And I have met and come to know many photographers whose work is truly outstanding. They photograph for the love of it and because they have something to say. That’s what drives them!

If you have a passion for your photography and a rage to create meaningful work that stands for itself, then you are a PHOTOGRAPHER!  Maybe you don’t care about exhibiting or selling your work, or what’s considered by the gallery owners to be in right now. It doesn’t matter at all.  In the end what really matters is that you believe in yourself and your vision, otherwise you no longer have the passion, but merely a hobby.

There really isn’t anything wrong with having a photographic hobby and many are satisfied with that, but if you dedicated and make great and important work don’t let anyone tell you you’re not a PHOTOGRAPHER … because they’re wrong!

Stay safe,

Michael