So I was out photographing during Labor Day weekend and had an interesting experience with a couple of women.  I wrote about this but failed to mention while driving back home I saw a fascinating scene in the front yard of someone’s house. Signs for a presidential candidate and some strange items placed around them. The guy putting together this strange photographic scene was out there digging or doing something. He was about half my age, tattooed and about twice my size. I slowed down a little more to take a look but he gave me one back that was not very inviting. Another time, with other circumstances I would have got out, tried to engage and hopefully would have made the picture, but I have been to this rodeo before and know when to back off.  So I kept on driving. About a half a mile down the road I executed an important photographic maneuver – the all-important illegal u-turn. I drove back and slowly took a long look.  The glare I got convinced me that the picture was meant to be … just not that day!

So I did another u-turn, drove a little ways down the road, pulled off to the side and wrote down the coordinates so I would know how to get back another time to make that photograph.  It turned out to be a beautiful fall day this past Friday (I know its technically not fall but it sure feels that way here in Bucks County) so I carved out some time around work and headed back hoping the scene remained as I remembered it, minus the unfriendly looking fellow.

As I drove by I quickly noticed one of the most important elements of the picture was missing. Nevertheless I drove around the location several times and finally found a somewhat precarious location to ditch the car. I grabbed my camera and light meter and proceeded to walk. As I was getting closer, the chap from the last go around hops out of his pickup truck and walks up to me … but this time he has a friend with him.

$#@%^&*(!

“What are you doing here?”

NOTE: I’m not as young or as fast as I used to be, but better not to panic — “Hey man, how you doing? Where’s the mannequin?  I was driving by last time and now it’s gone! I take pictures; do you mind?  This is really cool but where’s the mannequin?”

“It fell down; you want me to get it?”

“Yah, that would be great; I’m just going to take a few snaps, OK?”

“No problem, I need to go to work now … take as many as you want but don’t let my wife see you out here!”

“Hey man … really appreciate it … thanks!”

So I hung out awhile, walked around and made a few pictures. The other good news was my car was still where I left it.  I look forward to developing the negatives soon and seeing how things look on the proof sheet.  So all in all a very nice outcome, and one that would not have been possible if had given up on the picture … if had not gone back for it.  Things were a little dicey for a brief moment, but we talked.

We live in strange and difficult times, and we’re not very good right now at communicating with those with whom we may disagree.  We need to get beyond that, and fast, if we are to move forward and make things better.

Oh … and don’t give up on your picture … not if it means something to you.

Stay safe,

Michael

Several years ago I wrote an entry entitled Finding Your Passion.  More recently I wrote another called Passion or Hobby … Are You a Photographer? And I have touched on the importance of passion in other entries as well.  If you think this means I believe that passion for the images we make and for the finished prints we produce is essential, you’re right!

This week I discovered a YouTube video made by photographer Kyle McDougall. I’m sure he won’t mind me paraphrasing some of the key takeaways combined with a few of my own thoughts. He said he used to make landscapes using digital cameras and essentially hit a brick wall with his passion and creativity. Then he discovered analog photography and it changed his whole focus.

Now here’s the kicker; he was worried that those who knew his work would not accept it for what it was, but was gratified to learn that they thought it was the best work he had done. He knew that it was and thought there was an energy and authenticity to the work that only comes when your passionate about what you’re doing.

That this happened for him with the switch to analog is wonderful but what’s really important is the passion you have, whatever medium or format you are using. Create whatever interests and excites you … what you are passionate about, regardless of what others may think – that’s what counts … follow your own path!

Thanks Kyle!  I couldn’t agree more with everything you say, especially concerning energy and authenticity to the work that only comes when you’re passionate about what you’re doing, and the necessity of following you own path.  When you think about it, one leads to the other! Otherwise, what’s the point of it all?  Finally, and perhaps most important … yes, I believe others (and you) will notice the quality of the work that is the result.

And if they don’t it just means they don’t get it.  What do they know … follow your own path!

Stay safe,

Michael

I hope everyone had a wonderful Labor Day weekend and enjoyed it in a responsible manner. It was a little strange celebrating Labor Day this time around; I haven’t met with anyone for my day job since March. And I wonder how many people actually bother to think about Labor Day. Just another holiday weekend and a good time to buy stuff on sale.

During the summer I’ve spent a lot time in my in my darkroom, which turns out to be a great Covid-free environment. But this weekend, after a lull in the action, I loaded my cameras up with film and started photographing again. Don’t worry; I made sure I had my mask with me just in case.  Turned out I needed it.

I was going to publish some thoughts surrounding the Fourth of July, but never did.  Wasn’t ready. Not sure I am now. Given the meaning of that holiday and what we were facing as a nation, I tried to think about what is good about America rather than what divides us.  As the weeks have gone by I’ve kept trying to think about this, but sometimes it’s hard to do. Just this Saturday I was about to make a picture of a couple of elderly women sitting outside a general store in one of the small hamlets that dot the Pennsylvania side of the Delaware River.  Chatting over cigarettes, one thought to ask me if I was “part of that BOM thing”? I hadn’t heard of BOM, but then she corrected herself and said “BLM”. “You’re not part of Black Lives Matter”?  Wasn’t sure whether to laugh or cry.  So I just made the picture and walked away. We’ll see how it turns out.  In the meantime, I’ll keep on thinking, because the good is still there, even when it seems to be overwhelmed by the fog surrounding us.  I know it’s true because I saw it in my Covid-19 pictures, and I see it every day.

Labor Day signifies the end of summer and the beginning of a more serious time of the year. The leaves have already started falling here in Pennsylvania, vacations, for those that took them are behind us and kids will be going back to school … albeit in unusual and different ways.  It was a summer I’ll never forget … just part of a year I’ll never forget.  In many ways it has been the worst year I’ve ever experienced, but in some ways it’s turned out to the best.

So guess what … I’m not giving up … there’s a lot of pictures yet to be made!

Stay safe,

Michael

By now most interested photographers have heard about Vivian Maier. I even wrote an entry that discussed her … There Is A Lot of World Class Work Being Created We Will Never See, But That’s Alright. She was a fantastic street photographer, whose work was destined to remain unknown were it not discovered by John Maloof in 2007.  Now I have learned about Jack Sharp, thanks to one of my former students.  Thanks Susan!!!  She sent me a link to an excellent article by Michael Zhang that appears on the PetaPixel website https://petapixel.com/2020/08/24/man-inherits-treasure-trove-of-unseen-street-photos-from-his-grandfather/

Damn … another great, unknown photographer no longer with us!! This time a Brit, who made most of his black and white street photographs in Switzerland between 1950 and 1970.  Discovered by his grandson, Dylan Scalet, after inheriting and examining a treasure trove of over 5000 negatives, it’s an important discovery … “Man Inherits Treasure Trove of Unseen Street Photos From His Grandfather”.

Jack Sharp is a great street photographer, whose work can be compared to Maier’s. There is now a website published by his grandson that is devoted to his photography. See it here: https://www.jacksharp.co.uk. 

As I have discussed before, how many other great, unknown photographers are out there waiting to be discovered, whose work may never see the light of day?  Part of the issue is that they simply are not driven to be discovered or to even promote their work. They just want to photograph for the love and passion of it. My guess is that Jack Sharp felt that way, and good for him! But I’m sure glad he saved his negatives, made sure they were passed on, and that his grandson happened to be interested photography and knew some great images when he saw them!

In yet another example of the many small miracles that have occurred during Covid-19, Dylan received the negatives in 2014 but hadn’t examined them until now.  Like most of us he probably now had a little extra time on his hands. Great! I’m thankful for his discovery and doubly thankful that I can now enjoy this excellent body of work.

So how many Vivian Maiers and Jack Sharps are out there … past and present?  We will never know, but I am deeply inspired by their work that I will likely never see and their passion for what they deeply love/loved. It is that love of photography itself and the doing of the work that makes what they do/did so special.

So to all the unknown’s out there doing great work for the love and passion of it … keep at it … you’re an inspiration to us all!

Stay safe,

Michael

Recently I reorganized my record collection and it got me thinking. There are a lot of similarities with what happened in photography and recorded music. It was around the same time when analog photography and recorded music went near extinct.  Digitalia was being forced down our throats, cloaked in the mantra of convenience. Speed, less hassle, less work … it was just so damn easy.  But slowly things began to turn around, because some people saw through this and others discovered/rediscovered what was almost lost. It took awhile but more and more folks came to realize that analog is just plain better – be it film or vinyl.

Today film and paper are readily available and there has been a vinyl explosion to the point of near extinction for the awful sounding CD. In photography digital capture will not go away because it satisfies a need for the commercial world. For many who shoot color it’s also good enough. But for black and white, people have rediscovered that digital just cannot replace film and wet processes.

Yes, for vinyl or film and paper, analog processes are messy, they take more work and more time, but they’re worth the extra effort! Sort of reminds me of an old beer commercial. Two guys are talking about whether to use a nail or a screw that would be hidden from sight. They guy who was making the decision said others might not know he used a screw, but he would.

I love analog and all the “extra” work that goes into it. And besides, with all the mediocrity we’re stuck with today, from the food we eat, to the culture we live in and most of idiot politicians we’re stuck with, along with the compromises we either make or are forced to adopt in today’s world, I am more than happy to use the screw instead of the nail and take the extra time and the steps necessary to create images or listen to great music in a way that is just flat out better.

Others may not care, but I do.

The screw is better than the nail … and I know it.

Stay safe,

Michael

Recently I was contacted by Jarrod Markman, Executive Director of the Da Vinci Art Alliance in Philadelphia.  The DVAA-Da Vinci Art Alliance mission is to “build community through art” with public exhibitions, programming, and interdisciplinary partnerships.  DVAA is a non-profit art space based in South Philly that provides resources, exhibition space, and community for its artist members and the surrounding neighborhoods.The organization was founded by 9 Italian immigrant artists in 1931 and has continuously served its members, the South Philly area and surrounding neighborhoods.  The name was selected a name to honor Leonardo of Vinci!

As you might imagine, this all sounded intriguing to me, so I sent Jarrod an email asking if we could speak by phone to discuss their operation. We had a nice chat so I asked if I could make a socially distanced visit to see their gallery. Jarrod offered to meet me during off hours on a Sunday morning. Thanks Jarrod! I had a wonderful visit, and listening to Jarrod’s interest in growing the artist community in and around Philadelphia while focusing on the individual needs of members was truly inspirational.

Needless to say, I decided on the spot to become a member of Da Vinci and several of my photographs are now featured on my member profile at https://davinciartalliance.org/michael-marks.

I have not run into anything like Da Vinci before and it was a nice surprise to during the Covid-19 doldrums to be offered this wonderful opportunity.  I look forward to showing my work at Da Vinci and more importantly to developing new relationships with this exciting community!

Stay safe,

Michael