My Photographic Process – Step 13 – Selenium Tone the Print and Step 14 – Wash and Dry Your Prints on Print Drying Screens

Ta, da!

Ok, you’ve made your best print(s). Now you want to provide the finishing touch. Selenium toning provides a nice shift in tone away from the olive appearance characteristic of most papers.  It also supports archival permanence and can help set the blacks.  Some people will develop their prints and go all the way through toning in one session. I generally do not do that and prefer to accumulate enough prints that need to be toned and do them at one time.  After my prints have been developed, washed and dried as previously described, I store them in an archival box that has a sticker on it that reads, “To Be Toned”.

My toning process is as follows:

  1. Soak prints in water for 10 minutes.
  2. Fix prints in plain Hypo solution for 3 minutes
  3. Tone prints in Selenium Toner. I use a ratio of 1 part toner to 20 parts water. This ensures that the tonal shift will happen more gradually, giving you a greater amount of control.With Foma Variant III toning times tend to be four to seven minutes, but each paper is different and some do not tone at all. Pay close attention so you don’t go to far!  Also, make sure your room is well ventilated. Breathing in Selenium is not good for you!  I always have my fan running and the door wide open!
  4. Remove your prints when you are happy with how they look and put them into a tray of Hypo Clear. I use Permawash mixed 1 gallon of water to 3 ounces of chemical for 2 minutes.
  5. Rinse for 5 minutes

Then proceed with Step 14 to wash and dry your prints on print drying screens as was described previously in My Step 12.

Congratulations, you have come a long way and accomplished a lot!

Stay safe,

Michael

My Inclusion in the 2020 Photo Review 36th Annual International Photography Competition Exhibition

At long last the photographs selected to be included in the 2020 Photo Review 36th Annual Photography Competition have been posted on the Photo Review website for a virtual exhibition.  You can see them here: https://www.photoreview.org.  The 2020 competition was juried by Kathy Ryan, Photo Editor, and Jessica Dimson, Deputy Director of Photography, of The New York Times Magazine. There are a million competitions and you could spend all your time just working on that, so I try to focus on those that interest me for a particular reason(s), including who the jurors are and how competitive they are. That was the case here.

It’s sometimes very surprising what photos will be selected when you submit several and I have been pleasantly surprised those that have been chosen for the last several shows I’ve been in.  I am particularly happy about my selection for this show. It speaks strongly to me about the ambivalence for many concerning the times we live in. I thought about that when I made the photograph a couple of years ago and I still feel that way now. Perhaps the jurors felt the same way.

Stay safe,

Michael

Inauguration Day

Well we made it. And not a moment to soon! I was a little bit nervous that morning. I still wasn’t over the rampage that took place at the capitol building, and to be honest it may take a long time.  Early on in my career I spent two years working there on the Senate side. I spent a lot of time in all the buildings that make up the campus. I knew them all along with the tunnels, and many of the special places and hidden nooks. It was a better time on the Hill then. Democrats and Republicans disagreed but they worked together when it mattered. Members of both parties got along and didn’t view each other as the enemy. Staffers had lunch together, played softball for the fun of it and hung out at bars. In many ways it was a better time.

I was worried that there would be some type of violent activity in or around Washington, DC, and at state capitols. Thankfully that didn’t happen. Instead there was a peaceful transfer of power, though for some that may take a while to get over.

I wasn’t at the inauguration, but felt very much a part of it.  And so it was important for me to memorialize the event by capturing the feelings I experienced as I watched it. I was happy, relieved, yet deeply concerned about the incredible challenges facing all of us as we begin to move beyond this very dark time. Now we’ve made a start and I am hopeful for our future.

Stay safe,

Michael

Can Your Photographs Hold a Longer and Deeper Meaning for You?

Think about the thought process you use when you make a photograph. In my case sometimes it will be representative or relational to something that is happening around me or something to be memorialized. It may be a part of a thematic project, or it could just be a spontaneous capture of something that captures my eye on the street. Here’s something. Can your photographs hold a longer and deeper meaning for you, so that you will come back to them over and over again to consider not only what you were thinking about when you made them and the experiences of the day on which they were made, but what more they can say to you on other levels or about other things that matter to you as time goes by? Finally, can they inspire and perhaps change you for your work to come?

This week I will be thinking mostly about the peaceful and thankful transition of power to Joe Biden. As I write this I am filled with apprehension about what will happen leading up to and surrounding this historic event, not only in our nation’s capital, but also in state capitals and other places across the United States. I also have considerable fears about the open hate, extremism, and potential for violence that is likely to be with us for sometime to come. But I also have a sense of optimism. The raging virus can be cured and what else afflicts America can be repaired in great part, because I believe that most Americans are so much better than what we have seen in recent days.

I have a picture I made several years ago on Flag Day. It had meaning for me then and it has even more meaning for me now. In Bucks County, not far from where I live, the Delaware Valley Vietnam Veterans organization holds its annual Flag Day Veteran’s remembrance event at one of the many Bucks County community parks. What makes this annual event unique and amazing is that volunteers plant nearly 65,000 small American flags, as well as 5,000 small black flags in the park ground commemorating Americans that gave their lives during Vietnam or other conflicts, or are missing in action, yet to be recovered – all placed in the shape of the Vietnam Veterans Memorial in Washington, DC. I went there that day, saw all the flags, listened to the heartfelt speeches by veterans and local officials and spoke with those celebrating the event. I will always remember that fine day; what it meant for my photography and my life by being a part of it.

As this week unfolds, as the Inauguration takes place and the days follow it, I will look at the picture I made and continue to think about it from time to time – because it had meaning for me then and so much more now.  I will think about those that who have fought and died for our country, those that believe in the promise of America, the challenges we face, and what America can be truly become if we all work hard to make it happen.

Stay safe,

Michael

Be Thankful, Nurture It, Repair it, Photograph It

I thought I had seen it all in my lifetime, from the assignations of John F. Kennedy, Martin Luther King and Robert F. Kennedy, to the Viet Nam war and the Kent State shootings, Watergate, 911, and the last decade of police atrocities against black Americans. I traveled the world in service to my country, to places like the Soviet Union and China where democracy did not exist, but nothing prepared me for the shameful acts that played out before our nation on live television on January 6th.  It was the inevitable conclusion of the last five years since Donald Trump declared his candidacy for the White House.  In the end our democracy remained intact as law and order was restored and Congress came back in session to certify the election of Joe Biden and Kamala Harris.

It will take a long time to get over this.  But be thankful for the good that America is and what we have. Work to nurture it back to health. Help to repair what needs to be fixed. Photograph it. 

Stay safe and stay vigilant,

Michael

It’s Finally 2021!

Well, gosh damn, it’s 2021 and most of us made it across the finish line. I say this because nearly 350,000 Americans lost their loves during 2020 … many unnecessarily. It didn’t have to be this way. It really didn’t. For those of you who lost a loved one or friend, you have my greatest sympathy.

Yes there was a hoax in 2020, but it wasn’t the pandemic or collusion, or all the so-called fake news put out by the mainstream news media. No, it was the cruel joke perpetrated upon those who somehow believed there was a true president and a functioning government during the past four years that cared about this country and the American people. But the good news is in less then three weeks our long national nightmare will be over. And yes it won’t be easy. One of few accomplishments of Individual 1 was to sow discord in our nation in ways that few could have dreamed possible.  We will all have to work at this and better times will be ahead!

Okay, so what about our photography?  2021 is going to be a great year if we decide to really live a fully “photographic life”. The vaccine is coming but we will still need to be careful during the coming months. But dammit it’s a new year so let’s make the most of it!  Commit to doing whatever you need to do to keep your head in the game until you feel comfortable about making the types of photographs you normally do.  And if the virus isn’t a problem for the subject matter you focus on, then get out there and make pictures!

But wait, there’s more!

If you’re not doing anything but reading this and thinking about all the great things you could be doing, get off your chair and do something … anything! How about this? Sit back down, grab a pad or journal if you keep one and write down a plan of everything you want to do this year. That’s right; write it down!  Here are a few ideas. For starters learn some new things from most convenient knowledge source readily available to you … the Internet, and then go through you photographic library for inspiration. What about the library? It’s open on a limited basis. I was just there this week doing research for a project. Same thing for galleries and museum; you can safely visit them.  While they’re also open on a limited basis they also have a lot of great information available online. Buy some books you have wanted for a long time. I just did! Get your camera equipment serviced if necessary.  Now how about giving your darkroom a good vacuuming, and clean it of any unnecessary clutter. It’s not your messy bedroom, it’s a neat and dust free working space. If it’s not being used get rid it. Sell the stuff or donate it to someone that can use it. Are your film speeds and development times correct? Are you caught up making your proof sheets?  Have you even gone through your recent proof sheets to see if there are some keepers worth printing?  What about going through your older proof sheets to see if there are some hidden gems you never printed? Have you thought about printing at all?

Now define some achievable photographic goals. That way there can’t be any excuses. A couple of long-term projects and some shorter ones that can be more easily accomplished might well make sense. And of course be open to any random opportunities you learn about or that just pop up from an impulse you have. Try to keep things within two hours of where you live. No need to travel far. Forget about it another potential for an excuse. Think hard and creatively! There’s plenty of good stuff nearby if you open your eyes and heart to all the possibilities! Write it all down!

There will be plenty of ups and downs in 2021. Sure there will. But we can live truly photographic lives right now. Things will become more normal and we will be making the types of pictures we love … normally. Yes, 2021 is going to be a really good photographic year. I know it will be for me because I want it to, and I am going to do all I can to make it so! I hope it will be the same for you!

Best wishes for a happy, healthy and photographically productive New Year.

Stay safe,

Michael

2020

So by any account 2020 has been a miserable year, perhaps the worst year I have witnessed during my lifetime. There are so many reasons, mostly related to the virus and the individual who has occupied the White House for the last four years. Here’s the thing; life could always be so much worse. If you are reading this, no matter how bad things are, you’re probably in much better shape and have more opportunities then most of your fellow human beings.

I have thought about this, and all things considered I think I have much to be thankful for in 2020. The question is did we take advantage of all our opportunities and good fortune? There are so many excuses why we could not have lived a photographic life this past year. My hope is that you didn’t have very many and used very few. In my case, I joined the Da Vinci Art Alliance and participated in a members show. I entered and was a prizewinner in the 27th Annual Phillips Mill Photographic Exhibition here in Bucks County and was selected in the 2020 Photo Review International Competition (Covid prevented me from meeting the great Emmet Gowin who juried the Phillips Mill show … I guess you can’t have everything!).  I founded the Monalog Collective with six members and helped grow it to fourteen members as of this writing. As an intended benefit I made some damn good friends! I also started some new long-term photographic projects and completed a shorter one over three-months documenting the empathy and determination of people where I live during the virus. Doing this project was somewhat outside my normal photographic aperture and it opened up my thinking to new and exciting opportunities for the future. Now that’s exciting!  And making lots of pictures meant that I spent a lot of time making prints. Great!

So in the end, 2020 was a pretty damn good year for me. As bad as things were, living through the pandemic helped me focus on what is truly important … doing what you love, being a good friend, and making sure those you love know it.  All and all, not a bad outcome … photographically … and in life!

I hope your year had more ups than downs, photographically and in life. If not, be positive and open your eyes to all the possibilities that lay before you. And let’s make 2021 a banner year!

Stay safe,

Michael

My Photographic Process – Step 12 – Wash and Dry Your Prints on Print Drying Screens

Ok, this is pretty straightforward. I don’t tone my prints until I have a fair amount to do, so after fine prints have been made they go straight into the wash. My method is to first wash the prints in a Zone VI Washing Machine for five minutes. Prints float face up in the large tray-like washer. Fresh water flows over the prints, and then drains out the bottom. The prints are then removed and placed in an upright Zone VI Archival Print Washer for about an hour and a half. This washer and many others like it work on a similar principal. Each print is separated by a thin piece of Plexiglas. Water flows in the top on one end and out the other. The Washing Machine measures about 21x14x7.  I have two uprights, one for 8x10s and another much larger one designed for 16×20 prints and double the amount of 8x10s.  Don’t be misled. Archival washing is a must for long-term preservation of your work, especially if you make fiber prints (I hope you don’t use RC!). Is the double wash overkill? Don’t know, but it works for me.

When the prints have been sufficiently washed they are removed and placed face up on drying screens made of the same material used for outdoor window screens. In fact that is what they look like. Zone VI made mine, but you could easily make them yourself.  I know many people dry their prints face down, but that never made sense to me. What if there was something that got onto the screens and dried onto or contaminated your prints? When I built the base of my wooden sink I designed a space for four screens that can hold up to six 8×10 prints. This design enables me slide the screens in and out so I can easily place prints on the screen and remove them when dry, but also to allows convenient access for the occasional washing of the screen material. I used to squeegee my prints before placing them on the screens but I don’t do that anymore. The prints lay on the screens overnight and air dry. Next morning they’re bone dry and ready to be stored in an archival box marked “To Be Toned”. Not very exciting but essential!

Stay safe,

Michael