Author Archives: Michael Marks

Harry Callahan, Water’s Edge

Harry Callahan was a great American photographer and Water’s Edgeis a stunning, yet quiet book. Throughout Callahan’s life he found great pleasure and inspiration walking and photographing the beaches in Chicago, at Lake Michigan and on Cape Cod. Published in 1980, Water’s Edgecontains a magnificent collection of his elegant black and white images from what he called his Beach Series and is a real gem.

While some of the photographs focus in Callahan’s wife Eleanor, both clothed and in the nude, most are exquisitely captured images of beach activity, sand and water and plant life. These are simple scenes that any of us have witnessed a million times on our own beach outings, but few have had the intensity of vision to capture.  For over forty years Callahan had a singular intensity of vision for everything related to the shoreline and that is on full display in Water’s Edge.  He never tired of the exploration or the opportunity to grow and expand that vision as he discovered new things there.

I have always loved the beach and have spent many beloved trips and vacations at the water’s edge by myself and with my family. I didn’t make that many photographs there when I was younger but recently have thought about it again and have begun making photographs in and around the beaches that are within two hours driving distance from where I live … at the Jersey Shore and Coney Island. While I may not make the types of photographs Callahan made, this book is a true inspiration to me, as it illustrates in no uncertain terms to what can be accomplished if your mind’s eye and heart are open to seeing the quiet but incredible scenes that often stare us in the face but are seldom captured.

Water’s Edgeis a book I feel lucky to own. I treasure it and it inspires me often.

News Release for the Upcoming 2018 Photo Review Photography Competition Exhibition That I Am In

As mentioned in a previous entry, the University of the Arts in Philadelphia will be hosting an exhibit of Photo Review’s 2018 Photography Competition prize-winning images. Here is the official news release put out by the university.  I am both excited and deeply honored to have been selected for this prestigious annual event and would love to see you at the opening reception on November 16th! Details below.

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CONTACT: Anne Massoni Tel: 215-717-6300/6303 Email: amassoni@uarts.edu photogalleries@uarts.edu

News Release Fall 2018

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The University of the Arts presents The Photo Review Exhibition

November 9 – December 9, 2018
The Sol Mednick Gallery of Photography– Terra Hall, 15th floor 211 South Broad Street, Philadelphia, PA

The Photo Review Exhibition is the annual collaborative effort between The Photo Review and the Photography program at the University of the Arts, and features a diverse collection of prize-winning work by 15 photographers. This annual exhibition gives the public the opportunity to view the juried work featured in The Photo Review’s 2018 competition issue. The University of the Arts has a longstanding relationship with The Photo Review, an independent journal of photography founded in 1976. This year’s winners are Molly Block, Howard Brunner, Kathleen Donovan, Ken Dreyfack, Keith Fred, Vicky Gewirz, David Jordano, Eric Kunsman, Barbara Leven, Daniel Lobdell, Michael Marks, Dan Nelken, B. Proud, Susan Scafati, and John Wyatt

The 2018 competition was juried by Museum of Modern Art Curator of Photography Sarah Meister for the 2018 Photo Review Photography Competition. Among her many accomplishments, her most recent books include One and One Is Four: The Bauhaus Photocollages of Josef Albers (2016) and Arbus Friedlander Winogrand: New Documents, 1967 (2017). She is a co-editor of and contributing author to the three-volume series Photography at MoMA (1960 to Now, 1920 to 1960, and 1840 to 1920), co-director of the August Sander Project (a five-year research initiative with Noam Elcott, Columbia University), and the lead instructor for the online course Seeing Through Photographs on Coursera.

A reception for The Photo Review Best of Show will be held on Friday, November 16, from 5 to 7pm

About the Sol Mednick Gallery

Now in its 40th year, the Sol Mednick Gallery offers a year-round regular schedule of exhibitions of contemporary photography. The only endowed gallery in Philadelphia dedicated solely to the exhibition of photography, the Mednick Gallery earned the Photo Review Award for service to photography. Gallery hours are Monday through Friday, 10 am-5 pm, Saturday and Sunday by appointment. Call 215-717-6564 for more information. The Sol Mednick Gallery is located on the 15th floor of Terra Hall (211 S. Broad St.) at the University of the Arts. Images are available upon request.

About the University of the Arts

Founded 142 years ago, the University of the Arts is one of the nation’s only universities dedicated solely to educating students in the visual and performing arts, design and writing. UArts is a leader in educating creative individuals through an innovative, flexible, rigorous and well-rounded curriculum that prepares students to be the creative leaders of tomorrow, whether in a specific artistic discipline or by applying their arts education to virtually any career. The alumni of the University are leading some of the Philadelphia region’s most important cultural institutions and positively impacting the creative economy nationally. With nearly 1,900 students enrolled in undergraduate and graduate programs on its campus in the heart of Philadelphia’s Avenue of the Arts, UArts students collaborate across disciplines and benefit from being in one of the nation’s most culturally vibrant cities.

211 South Broad Street Philadelphia, PA 19102 www.uarts.edu

Quiet Time and Finding Inspiration

Recently I was reading a book written by a very learned religious scholar.  He spoke about how important it is to find the time at least once a day to “retreat to an intentional space for silence, solitude and listening to what is stirring in our hearts.”

It turns out I have been doing this for years.  For me it’s the walking I do by myself and now with my puppy every day. No music, no phone … nothing. But I could be sitting in the park, finding a quiet place in the library … it could really be almost anywhere.  My walks are a central part of my life and I’m out there unless it’s below 12 degrees (my wife’s rule, not mine!) or monsooning. The time I spend doing this is one of my most cherished and essential parts of the day. I think about many things … family, friends, new ideas for my business, all the other things I have to be thankful for, and of course photography.

What I try my best not to think about is the non-stop insanity that seems to be going on all around us on a daily basis. When one of those ugly thoughts pops up I turn my attention to something else. Plenty of time during the rest of the day to think about what makes me sad!

So when I am out there alone and with Sparky I begin to think about new ideas, places to go and pictures to make. Often I imagine photographs I have never made, but the more I think, the more inspired I become!  I also think about what I want to accomplish in my darkroom. I map out entire plans for projects to do, outings to take and prints to make. It is a very good and creative time, away from all the daily distractions we all have.

Every now and then we need something to inspire us to be creative and do the work we truly want to accomplish. We just can’t find the time to reach deep down inside ourselves to discover what it is we want to do and how to make it happen … in life … and art. We’re unable to “listen to what is stirring in our hearts”.

I’m lucky that many years ago I decided to make walking a central part of my life. I did it for the exercise, but soon realized that the miles I put in every day were the least of what I got out of my daily routine. I know that what I’m able to do is easier said than done for many. So what I am suggesting is that you find some way … any way … to carve out moments of quiet time each day, wherever and in whatever way works best for you … even if it’s just a few minutes. Use the time well. Doing so might just spark a whole new creative phase in life … and art.

WTF Moment

I celebrated my 64th birthday last week and of course it got me thinking about a scene in in the great American movie Risky Business.

Miles: Sometimes you gotta say “WTF” (this is a family website!), make your move. Joel, every now and then, saying “WTF”, brings freedom. Freedom brings opportunity, opportunity makes your future. So your parents are going out of town. You got the place all to yourself.

Joel Goodson: Yeah.

Miles: WTF.

Last time out I discussed my Two Hour plan and how I now felt much looser, less pressured, and more liberated.  I thought that others could benefit from the concept as well. What do you need to do in order to become fully liberated? I think Miles’ philosophy is sound and worthy of being followed, at least when it comes to photography. Think about it … we are always being told what galleries want, what the competition judges are looking for, that bigger is better, what camera to use, what format is best, what film to use, what developer, what paper to print on.

I am now at the point where I could care less about what the vast majority of people have to say.  I have had my WTF moment, and yes, it is bringing me freedom, which in turn will bring opportunity. Why? Because I feel completely unfettered to do whatever I want, whenever I want, and in a way I want to do it. The world is my oyster and with my Two Hourplan, it’s never far away!

This mindset isn’t a license to become lazy or to stop learning. It’s not a replacement for getting out and making photographs and then doing the very best you can in the darkroom to recreate your vision. Far from it! It is living yourphotographic life on yourcreative terms to produce what is truly important to youin a way that works for you. What a novel concept … doing your work unencumbered by what others think. WTF!

Two Hours

That’s the name of the new focus I have established for myself, and I am suggesting it might be one for you as well.  So what do I mean by Two Hours?  Glad you asked. Looking out for and discovering things of obvious and potential photographic interest that are within two hours of where I live. That sounds pretty vague but I actually think it’s a stroke of genius.  I can always be on the lookout for interesting and even bizarre and other out of the ordinary events to checkout. Or I can learn about things that are important to those I live near me and hang out with them. And guess what – it takes a lot of pressure off me concerning what to be photographing. Now I’m surrounded by all sorts of opportunities!

All of the sudden local news and nearby events become more worthy of note.  For example, over the past few months I have attended several protest events here in Doylestown organized and made up mostly of high school students (my faith in the young has been rekindled!), attended the annual Peace Festival put on by a local Quaker school here in Bucks County about 10 minutes from where I live (I felt like I stepped back into the Sixties), visited Ocean Grove NJ, a small community on the Jersey Shore founded by Methodist clergymen in 1869, and mingled with some strange rangers at the annual Zombie Walk held in Asbury Park.

So you might say I am pretty lucky to live where I do and that I have an unfair competitive advantage – Bucks County, Philadelphia, the Delaware River, New York City, the Jersey Shore, the Poconos … I could go on.  Yes it’s great, and I love living here, but I don’t think I am better off than anyone else. I truly believe that there’s always fertile opportunity wherever one might be if you’re open to it.

None of this means I have dispensed with specific projects. Far from it!  A benefit of the Two Hourplan is that with enough outings and results new themes demanding additional focus may emerge.

I never thought about this idea before, despite it being so utterly simple and obvious.  Now that I’ve had this news flash I feel much looser, less pressured, and yes, somewhat liberated. When I am out and about I feel more creative and have even more fun.  Consider the Two Hourplan for yourself. You might get similar benefits!

Making and Keeping a Print Recipe

When Zone VI was in business they sold something called a Print Recipe Form. The 1995/1996 Zone VI catalogue I have lists a pad of 50 for $5.75.  I used these for years until they were no longer made, then I modified one and made copies for myself.

Along with my Zone VI compensating enlarging and development, these pieces of paper are one of my most helpful darkroom tools. Why?  First, they assist you in methodically producing a fine print by forcing you to write down each step taken to get to the final result. Second, they allow you to memorialize those steps as well as other critical information, such as print size, brand of paper and grade (in the case of VC you could list filter grades, VC or color head settings, etc. – I use VC paper now, but as a longtime user of graded paper I list the “grade” I used, determined by matching information provided by the paper manufacturer with settings on my color head), enlarger height, lens aperture used, developer and time, dry-down percentage for the particular paper used, when the print was made, and what Fred Picker called the “goldilocks” factor.

You probably haven’t heard of the all-important top secret “goldilocks” factor have you. This is critical and it might change your life, so read on carefully.  Once you have done all your various manipulations (e.g., dodging and burning) you may still think there is something a little bit off that adding or subtracting a tiny amount of overall print exposure could fix.  For example, subtracting a tiny percentage of exposure may provide that necessary little bit of sunshine to the print that somehow was lost in the process.  And that’s all there is to it – another great tool in your bag of tricks!

I begin by making two test prints, usually using grade 2 and 3 equivalents. That is noted along with general exposure times next to the #1 rectangle (the chosen aperture is listed in the information section at the top of the form). The rectangles serve as your print “map”.  Next to rectangle #2 I list the grade I have settled on along with its exposure time. I can and often fine tune contrast later as needed. Starting with rectangle #3 and on I record the various manipulations I make.  For burning I draw several slanted lines in parallel to show the location of where I have done that in the print.  For dodging I draw several small circles to show the location of where I have done that.  If I decide to raise or lower contrast, that is recorded next to the associated numbered box.  Finally, I list the dilution of selenium toner I used and the amount of time the print soaked in that solution.

Now, since I have used my Zone VI Temperature Compensating Development Timer I smile and know that as long as I use the same paper and developer, all I have to do the next time I wish to make another print from this negative is follow the steps on my recipe and I will have an exact duplicate!

Each individual print recipe from a given negative is filed with the associated proof sheet related to the roll of negatives it came from.  The proof sheet is numbered and matches the number on the clear archival Mylar page that holds those negatives. It’s a good system that makes it easy to quickly find things, and most importantly, it works for me.

My guess is that you can find the original Zone VI forms on eBay from time to time.  Otherwise just go ahead and make your own based on what I use or whatever fits your requirements.  As when cooking important dishes, do keep a recipe. You will be happy you did. Trust me!

My Work to be Exhibited at the 2018 Photo Review 34th Annual International Photography Exhibition, University of the Arts, Philadelphia, November 9th – December 9th

I am very pleased to announce that my photograph Carousel will be exhibited at the 2018 Photo Review 34th Annual International Photography Exhibition, held at the University of the Arts in Philadelphia.  Sarah Meister, Photography Curator, Museum of Modern Art, New York juried this year’s competition, so I am very excited that Carouselwas awarded Fifth Place out of over 1900 entries.

The exhibition runs from November 9thto December 9th. If you happen to be in the Philadelphia area I hope you can join me at the Best of Show opening reception to be held on Friday, November 16th, 5 – 7pm.

September Photo Chat Get-Together

It’s hard to believe summer is over and fall is here in Bucks County. Time to schedule a Photo Chat Get-Together before leaves really start to drop.

That means it’s time to get together again to discuss our photographs with the ever-expanding group!

Yes, how about joining us and getting together to chat about our photographs and the stories behind them. What was your intent in making the photograph, what were you trying to say, was it a success? If you made your print, were there any particular challenges involved?

This is not a discussion focused on gear — the idea is to share insights, get constructive feedback, learn a few things, relax and make new friends!

Well, if this sounds interesting and fun, how about joining me in beautiful downtown Doylestown, PA, in the heart of scenic Bucks County, and we will get together over a cup of coffee.

Photographers of all levels are welcome.

Bring only a couple of prints to discuss. Obviously the prints should be Black and White and should be film based!

The get together will be on Sunday, September 30th, 10:00-11:30am at the Zen Den coffee shop, located at their new address on 41 E State St, Doylestown, PA 18901.

Email or call me at 215-348-9171 if you are interested. First come first serve!

I look forward to meeting you!