Author Archives: Michael Marks

It’s a Sign … It’s Back … Fuji Acros 100!!!!!!

That’s right. Rising from the ashes of a sad and unfortunate corporate decision by Fuji, the film will be reintroduced this Fall as Fuji Acros 100 II. I won’t rehash most of what has appeared elsewhere on the Web, but suffice to say this is great news for film users!!  It wouldn’t be happening if there were not a demand or that Fuji saw it in their corporate interest for some other reason to produce it (e.g., transference of good will to other products). Whatever the reason; who cares?

The black and white analog community is the winner. Film is NOT dead!

Fuji claims new Across will be an improvement over the original. Finer grain, better sharpness, long exposures (Original Acros was the fastest film around when it came to making long exposures!) and “three-dimensional tonereproduction”. Not sure what to think about the last point. All in all a pretty tall order and only time will tell how it turns out, but start the countdown! Old Acros 100 was an incredible film … invisible grain, beautiful tonality and phenomenal reciprocity capability. I made 8×10 prints from 35mm negatives that people swore were from medium format or 4×5! If the new film merely matches the original we’ll all be raising our glasses.

Hey Kodak, now how about bringing back Plus-X and Verichrome?

Telling A Story With Your Photograph

In an interview published by the London Guardian on January 28, 2018, the street photographer John Free discussed the differences between social documentary, photojournalism and street photography.

“I think that the difference between them is rather simple to understand. In photojournalism, six photographs with captions might be required. Social documentary photography requires 25-50 photos, which are each supported by a caption or short story. In street photography, it all must be done with one photograph and with no caption to help explain what cannot be seen. No caption and no posing, make street photography the most difficult form of photography that I have ever been involved with.”

Free is right about telling a complete story with each street photograph and I certainly try to do that in my own work. But I think all great photographs should tell a story that draws in the viewer to closely inspect the image and seek what is being displayed … and said.

Perhaps my favorite photographer is Paul Strand. He really could do it all. Every photograph he made told a story, be they landscapes, street, architecture or portraits. I own almost every Strand book and have seen his work exhibited many times.  There’s a reason — every image makes me think about the subject matter and transports me to a different place … a different time. They cause me to imagine.

We need to make every picture count, make every one stand on its own two feet, whether it is a part of a larger story/project or not. What are we trying to say and why are we saying it?

The great ones do this as a matter of course.  Their pictures contain irony, they cause us to dream, to laugh or be sad. So what can we do to make ours try to do the same? Concentrate and see more intensely with greater focus. Make only those photograph that speaks to us.  Think of why we are actually making the photograph in the first place.  And study Strand … it can’t hurt.

Is There More to Photography … Then Photography?

As I write this I am sitting next to my flashlight in a completely darkened house. Care of a tremendous flash storm and possible tornado that blew through Doylestown. I seriously think the electric grid here may be surpassed by anything else anywhere.  My neighbors on either side of our house have built in generators, but despite another round of !#$%@#$^# from my wife, I can’t bring myself to spend the eight grand to have one installed. Sort of like paying more money every month to the cable company. There aren’t too many things you can get done without power, so thanks to my ancient laptop’s fully charged battery I am writing this entry!

So while I was brushing my teeth by candlelight a thought came through my head. I’ve touched upon it several times before. There is so much more for me than just going out and making the photograph. It’s the entire experience … the journey itself.  Even if you don’t get any keepers when you’re out there, or don’t even make a single exposure.

A couple of weeks ago I wrote about my participation in the first Annual Photo Arts Xchange (PaX).  As I said, it was truly a wonderful experience. But now it has become much more. That’s because about a week or so ago I started calling a number of participants I met during the event. Now that I’ve spoken to almost all them I’m hoping to develop some lasting friendships with some great people that also happen to be fine photographers. That they’re wonderful photographers is a fat juicy bonus!

I enjoyed our conversations at PaX, but liked the follow-up calls just as much. And just the other day a received a very nice post card from one of my newly found friends.  That’s right … a real live hand written post card delivered to me by mail! That really says something to me!  I mean, I can’t remember the last time I received a hand written note from anyone other than a holiday card or the letters I get from one of my older relatives who doesn’t own a computer.

These people are all dedicated photographers – dedicated to their vision and to their craft – but they also are great people. I am hoping to stay in touch with them and perhaps even get together sometime to photograph.  A couple hours drive each way is a small price to pay for something that could be worthwhile and lasting.

When I worked in Washington, DC the saying went “If you want a friend get a dog”.  Well I had three dogs while living in the DC area and to be honest they were much better friends than most that I came across in my working and social life. I am always looking to meet good people. If they love photography as much as I do so much the better!  It really helps in today’s toxic environment.  But I know they’re out there … because I have just met some!

Memorial Day

In an hour or so I will take a walk into town to enjoy the oldestcontinuing running Memorial Day parade in the country. When the parade is over I’ll walk further down Court Street to the historic Doylestown Cemetery to witness what is always an incredibly moving ceremony honoring America’s fallen heroes.

Memorial Day always holds a special place in my heart. Both of my parents were WWII veterans (my mother secretly left home and took a train from Buffalo to New York to enlist in the Coast Guard) and a number of my friends served in the military.  I also have had the privilege to work with many serving or having served in the military.  They all have my utmost respect. I’m always grateful for the freedom I have and take time on Memorial Day to thank my lucky stars for those that have been there to ensure that freedom.

The other reason I love Memorial Day is the opportunity to be out there and photograph the festivities. Ever since I moved to Doylestown I have attended the parade and the memorial that follows it. I never grow tired of it; even if I don’t make a single photograph I get a lot out of the experience.  The babies in strollers, the old timers, the marching bands, old cars and fire engines, and of course the speeches that remind me of the ultimate sacrifices others made so I could go home and barbeque a couple of hours later.

When I lived in the DC area I always attended the Rolling Thunder Motorcycle Rally downtown and the ceremonies that took place around the various memorials like the Vietnam Veterans Memorial.  Now I just read that this year’s national Rolling Thunder event in the capital will be the last one due to financial issues! I’m grateful I was able to attend the ones that I did, as well as having had the opportunity to hang out with some of the bikers.  The bottom line – you have to go see this stuff, get drawn into it and if you’re lucky, make some photographs that will make you happy.

So if you are reading this today, how about getting out there and experiencing Memorial Day. If you don’t have a parade, go visit a cemetery or some event that is taking place to mark the holiday.  My guess is that there is something going on nearby where you live. Maybe pancakes breakfast or lunch at the VFW post, or something else that you will find meaning in if you take a few moments to think about it.  Just make sure to bring along your camera. You might get some incredible opportunities to make something special while being a part of something much bigger than all of us.

Dave Usher, Master Photographer … I Will Miss You

Dave Usher was a truly great photographer. He primarily used large format cameras to create images of the natural scene that exhibited great beauty and sensitivity. He passed away last September. Dave was a photographer whose work deserved to be more widely known.  He touched many lives but I’ll bet most who met him are not aware that he’s gone. Knowing Dave, he probably would not have wanted me to write this but I feel it’s important that I do. Not much he can do about it I guess.

Dave was a former Army photographer and supervisory photographer for the US Department of Interior.  Interior was his home but he made important photographs for many US government agencies including the State Department.  Many know him for the twenty years he taught with Fred Picker at the famous Zone VI Workshops.  Dave knew more about the history of photography, major photographers and photographic processes that anyone I had ever met. But most importantly he was a damned good photographer. His photographs are held in collections worldwide and appeared in major publications including National Geographic, The Washington Post and The New York Times.  He was entrusted to print the glass plates of William Henry Jackson for the Smithsonian and for the show William Henry Jackson: The Survey Years.

Dave was a cantankerous son of gun who just happened to be a photographic master. Dave was also one of the most caring and unselfish people I ever met. He was also a friend, even though there occasional spats.  We had a sometimes-difficult relationship … and I now have learned that he is gone.

My first experience with Dave was when I gave him a phone call in the late Nineties. Turns out he lived about a mile from my house in Northern Virginia.  I knew about Dave from my reading of Zone VI newsletters. Dave was one of Fred’s key instructors, so when I found out he lived nearby it only made sense for me to contact him out of the blue and suggest he offer me a private workshop. True to form, I heard a growl and a got few choice words from the other end of the line that I won’t share here, and that was that.

A couple of years latter I decided to take a flyer and drive to Vermont to attend Fred’s funeral. I never met Fred, but had spoken to him several times by phone, owned a lot of his darkroom gear and chemicals, and of course was a devoted reader of his Newsletters.  I heard about his death and a couple of days later hoped into my Miata and drove up to Dummerston.  When I got there I didn’t know a soul, but had some new friends by the time I left. Everyone wondered who I was and why I was there, but Dave finally introduced himself, took me under his wing and introduced me to Zone VI brethren. I met some wonderful people, ended up sharing a few meals and made some photographs together.

Back in Virginia, Dave and I became good friends and we spent a lot of time together.  One day he announced he was retiring from the government and would be moving to Brattleboro, Vermont to photograph full time. And so he did.  I visited Dave several times to photograph, once with my son. We always had a great time together even though  we didn’t always see eye to eye on things … politics, religion, and pretty much most other things … except our love of photography! In September 2014 Dave had a beautiful show of his work at the Vermont Center for Photography.  I drove up to see it and stayed with him and Maria. His landscape work had a purity of vision that is seldom experienced.

Dave developed pancreatic cancer, a cruel card to be dealt.  When he was feeling stronger I went to visit him and Maria. We ate a lot and photographed. Dave even showed me Fred’s secret“Point Lobos of the East”spot.  We had a great time until we got into a stupid disagreement over something completely unimportant. There were no goodbyes the next morning when it was time for me to leave.  I tried to reconnect shortly thereafter without success and chose to let it lie. Maybe it was the cancer, the chemo, or the radiation. I’ll never know. Maybe it was both of us. I never ended up telling Dave about what I was doing to make photography an even greater part in my life … not about this website, my exhibiting, my teaching or anything else.

It always bothered me. People who knew Dave told me that’s the way it was; time to move on. I should have done otherwise.

For the last month or so I have been thinking about Dave.  While I was attending the Photo Arts Xchange I learned that Dave had passed away last September from the cancer.  On the drive back home I called his friend, the photographer, camera builder and repairman extraordinaire Richard Ritter to see if there were any other details. True to form, Richard had spoken to Dave the day before he died and everything seemed fine.  He only found out about Dave’s passing by accident when he ran into Maria several weeks later at the grocery store. I guess that’s the way Dave wanted it.

I should have been the bigger person and made a greater effort to reach out to Dave. I didn’t, and for that I will always feel terribly sad.

I hope this somehow reaches those who knew Dave … knew his larger than life personality, the tremendous good he did, the vast knowledge he shared and the timelessness of the work he created.

Dave, I will miss you.

Rest in peace big guy.

I Attended the First Annual Photo Arts Xchange

Last Week I attended the first Annual Photo Arts Xchange (PaX) in Rocky Hills Connecticut, hosted by Steve Sherman and co-organized with Steve by JB Harlan and Susan Harlan. For those not familiar with Steve, JB and Susan, they are master large format photographer and darkroom practitioners of the highest level. Other key contributors to getting the event launched, and equally fine photographers were Peter Bosco, Peter Wnek, Peter Dylag, Jim Kipfer, Jim Shanesy, Ralph Phil and Gene LaFord.  The concept behind the no cost event as described by Steve pretty much sums things up:

“PaX is not another portfolio review. Ho-hum, I bring my work to show and hear what I have to do to meet someone else’s idea of art. Or even worse, what I need to do to sell more work. This is not the concept of PaX.

PaX is a gathering of like-minded photographers joining together strictly for the purpose of sharingwhat each individual is doing. As a participant, you will be showing your best work. You will be explaining your vision; what you were thinking; the mood, idea or feeling you are trying to convey. Certainly there will be questions and discussion, but this is not a review of your work. It is not intended to help you shape your artistic future. But more literally, you may help someone else shape theirs.

Participants are encouraged to tell the story of each photograph as it is shown. This is not a technical discussion, nor a place to market your wares. PaX is not about trying to remold your personal vision. One basic concept we all share is that photographs should be seen. Not used as filler in a storage box.

No, PaXis not a portfolio review, nor a tech-talk workshop, nor a sales event. It is a friendly gathering specifically for sharing the art form we all love. It’s about the art in photography. It’s not a review, but a gathering of photographers sharing what they do and why they do it.”

Over thirty photographers from the US and Canada displayed and discussed their photographs. Most of the work was black and white and completely produced using film and wet darkroom processes. Photographers showed between four and twenty-one pictures (me). Much of the work was produced with large format negatives, but also included work done with 35mm and medium format equipment (mine and a few others). Most were silver gelatin prints, but some notable exceptions were gorgeous contact prints made using platinum, palladium, and carbon transfer materials.

We were also treated to scrumptious dinners at Steve’ home (thanks again Steve for thinking of my vegetarian requirements!!) and saw his incredible darkroom and dry workspaces.

I will get to the point … this was perhaps the best photographic event I have ever attended! In a way it was like one my Photo Chat Get-Togethers, but on huge amounts of steroids!  The host/organizer’s objectives were easily met ten times over. I met some wonderful photographers who struggle with their craft so that they can fulfill their unique vision.  Not to earn a living, but because they love photography and are driven to produce the very best work they can.  It was amazing just how much incredible world-class work was shown. Equally important were the stories behind the work and the articulation of the vision that led to what was ultimately created.

Going back to Steve’s objectives, I hope my presentation in some small way may have touched others.  I know that what I saw and learned truly inspired me and will continue to do so for a long time to come.I also made some new friends.  They make pictures with equipment and processes that are completely different from mine, but who cares! What a wonderful gift … making new friends that share the same passion as I do!  I look forward to developing these relationships, and they may become the greatest takeaway from PaX.

Kudos to Steve Sherman, JB and Susan Harlen, and all those who helped make this event such a wonderful and inspirational success! Final takeaway … I’ve rededicated myself to living a photographic life, to do the best I can to capture what I see in my mind’s eye and do whatever it takes to recreate that vision.

Visiting a Master … David W. Haas

Last week I had the great opportunity to visit David W. Haas at his home in Allentown Pennsylvania. David happens to be one of the finest black and white analog printers working today.  The very large list of great photographers he has printed for includes Harry Callahan, Carl Chairenza, Walker Evans, Lee Friedlander, Aaron Siskind, Michael Smith and George Tice to name a few.  He also happens to be tremendous photographer who specializes in 4×5 and 5×7 large format work.

I was fortunate to meet David at the Michael Smith memorial. After the event concluded we spoke for a while in the Michener parking lot.  We agreed to get together and I quickly followed up with a phone call to schedule a visit to see his operation.

Allentown is about an hour drive from where I live and I was excited with anticipation of what I would see the entire way there.  When I arrived I wasn’t disappointed. David lives in a historic row house with most of the living area dedicated to photography.  The first thing that strikes you when you walk in the door are the many exquisite photographs David as printed that hang on the walls.  Some are his images but others are the work of clients and past legends like Carlton Watkins.  Several of the prints are quite large … up to 20×24.  But the subject matter is beautiful and the printing is absolutely world class.  Not the large junk content images we are used to seeing.

On to the darkroom … or perhaps I should say darkrooms.  All custom designed to meet David’s unique requirements and those of his clients. In the printing room I counted five enlargers, including a Leitz Focomat 1c for 35mm negatives, a couple of Omega Ds, and two 8×10 enlargers … one horizontal to enable production of really large prints. Then there was a separate but adjacent wet workspace for development of film and paper, complete with customized wooden sinks that David built.  Finally, there was a spacious area for spotting, mounting and matting finished prints.

Once, I was done with the tour and asking questions that were patiently and happily answered, David took the time to show me many of his wonderful and impeccably printed images. Contrast, tone, sense of light … all perfect!  There’s nothing more that can be said.

The time just flew by and before I knew it I had spent three hours with David.

David is truly a great and unselfish guy.  Anyone that wishes to improve their craft would be welled served by paying David a visit. He provides tutorials and workshops that can be custom designed to meet each photographer’s individual goals and objectives, and darkroom rental is an option.  And if you want the complete experience, you can even bed and breakfast with David for a nominal cost.

David’s website is https://davidwhaas.comor he can be contacted the old fashioned way at 610-433-8320.

I could have spent a lot more time with David, but I know I’ll be back.

Memorial Day Weekend Photo Chat Get-Together

The snow and cold are finally gone and it’s spring here in Bucks County. Time to schedule another Photo Chat Get-Together!

Yes, it’s time to get together again to discuss our photographs and how our photographic lives are progressing!

How about joining us and getting together to chat about our photographs and the stories behind them? What was your intent in making the photograph, what were you trying to say, was it a success? If you made your print, were there any particular challenges involved?

This is not a discussion focused on gear — the idea is to share insights, get constructive feedback, learn a few things, relax and make new friends!

Well, if this sounds interesting and fun, how about joining me in beautiful downtown Doylestown, PA, in the heart of scenic Bucks County, and we will get together over a cup of coffee.

Photographers of all levels are welcome.

Bring only a couple of prints to discuss. Obviously the prints should be Black and White and should be film based!

The get together will be on Sunday, May 26th, 10:00-11:30am at the Zen Den coffee shop, located at their new address on 41 E State St, Doylestown, PA 18901.

Email or call me at 215-348-9171 if you are interested. First come first serve!

I look forward to seeing you!